CLICK HERE FOR ARTIST'S BIOGRAPHY BY MICHAEL JAY


ARTIST'S PROFILE by Edward Krcma :

There is a sense of both intense familiarity and a curious distance in the art of Gill Watkiss. Her paintings depict scenes in Penwith, the western edge of Cornwall, using distinctive landmarks and architecture to anchor her work in the real and the geographically specific. This specificity is bolstered by the inclusion of place names in the titles of her work. Despite this insistence on specific location, Gill Watkiss veers away from naturalism, her forms being neither realistic in physical terms nor limited to naturalistic accuracy. Rather, her work is charged with psychology and expression, courting an emotional response.

 

Winter afternoon, Tregerest Chapel
oil on board 445 x 610mm


She is as concerned with human activity as she is with the landscapes in which they walk, relax, and relate. It is perhaps her treatment of Penwith society that has made her so popular in this area. However, these paintings are not altogether comforting. Employing expressive distortions of form and scale, as well as intensification of colour, Gill Watkiss imbues her work with a psychological potency that often manifests itself as an intangible malaise, somewhat reminiscent of the troubled work of such northern Expressionist painters as Munch and Kirchner. The figures populate dark, often ominous landscapes, with skies unsettled and forms that are at once troubled yet full of empathy with the human condition surrounding them.

 

The Corner Shop, Pendeen
395 x 500mm oil on board


The populating figures are often numerous, yet they rarely interact; as in a snapshot they stare blankly back at the beholder. They connect through formal rhythms, yet rarely seem aware of each other's company. Thus we are struck at once by the intimacy and familiarity of these scenes and at the same time by the distorted and emotionally laden lens through which they are seen.



© Great Atlantic Publications and Ed Krcma, December 2000.

 

CLICK HERE FOR ARTIST'S BIOGRAPHY BY MICHAEL JAY

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