The Golden Age of Cornish Art
Breon OCASEY
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Duo MMIII
(2003) 37 x 47cm acrylic & collage £5,595
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Fremantle Shapes
(1994) 10 x 19cm collage SOLD
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Grey & Black zig-zags
(2004) 20 x 14cm collage £1,095
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Black, brown and grey
(2004) 20 x 15cm collage £1,095
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Brown and silver
(1987) 9 x 14cm collage £665
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July
34 x 41cm gouache £1,750
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Humdrum 1993
25 x 34cm oil and collage £6,000
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Bacatelle I
15 x 20cm collage £1,750
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Three shapes
8 x 13cm collage £665
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Pink dots 2006
19 x 28cm watercolour £3,075
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Red surrounded
(2006) 21 x 29cm watercolour £3,075
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November
(1967) 33 x 48cm gouache SOLD
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Green discs
(2006) 19 x 28cm watercolour £3,075
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Autumn leaves MMIV
(2004) 29 x 44cm oil £6,650
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Breon OCasey (born 1928)
Painter, sculptor, etcher, weaver and jeweller, Breon OCasey studied for three years at the Anglo French Art Centre and was assistant to Barbara Hepworth from 1959 to 1962 and also to Denis Mitchell in St. Ives. Son of the playwright Sean OCasey, for most of his career Breon has lived in Cornwall and has been closely associated with the St. Ives School of painters and sculptors. He benefited from his friendship with some of the leading artists of his generation such as Peter Lanyon, John Wells and Tony OMalley. His first one-man show of paintings was at Somerville College, Oxford, in 1954. He has regularly exhibited with the Penwith Society. His paintings have some characteristics of the St. Ives School, being small abstracts, often on irregularly shaped pieces of wood, executed in warm earth colours; simple, primitive and eloquent in outline. Although his gold and silver jewellery won him an international reputation with connoisseurs and his hand woven creations have been targeted by knowledgeable collectors, he now concentrates on painting, sculpture and graphic work.
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