John Thompson - the story so far, by Bill Clark:
Born in Oldham and essentially self-taught, John Thompson paints groups of figures, cloth capped and anonymous, that loom, loiter, parade and parley in that obscure way that baffles children.
He is now compared to other, better known northern artists such as Theodore Major, Harold Riley and the man himself, L. S. Lowry. This recognition has taken time to develop, for John is now past eighty and although he now devotes all his time to painting, this has not always been the case.
John was born into a typical, almost clichéd, working class environment. Everyone knew everyone else and everyone was poor. His parents met after the First World War. Settling in Oldham, his father became a builder, working locally for the railways; a comparatively safe and steady job in the poverty and unemployment stricken thirties. John was the only surviving male child and as such he was expected to leave school and get a job as soon as he was able. And so he did, and the next forty plus years were spent in varying kinds of employment, where his talent for painting played only a minor but nevertheless reoccurring role.
However, the inclination to be creative was always there, and through the years and many jobs, John was to be found painting or drawing, from tourist advertising posters for the local railway to canvases for room settings in furniture shops. Formal training was represented by five years of evening classes in life drawing.
John did not spend long in any of his jobs: a quick glance at the CV gives a picture of the vagaries of the furniture trade, the economy and the mans own restlessness. His fans are eternally grateful that yet another redundancy, this time at the age of fifty-six, was just one too many and John decided to become a full time artist. This new career did not start well: a nine month stay at the Corn Exchange in Central Manchester famously made only enough money to heat the room! Nevertheless, John kept going, a move to the Alexandra Centre in Uppermill was to mark the beginning of success and a build up of a faithful following. For the next few years this happy band of collectors felt they were in on a secret that the world had yet to discover.
Johns output is highly eclectic, deriving ideas from many different subjects. But his central theme is that of groups; groups of working men who seem to be, well, waiting. Waiting for a job? Waiting for a handout? Or perhaps just waiting for a change in fortunes for the northern working man. The power in Johns work lies in allowing the observer to add to the experience themselves: to find their own meaning in the images he creates. Although the poverty implicit in these Group Series images has contributed to the northern painter label, they speak for all working men, at all times.
John has achieved great success and critical acclaim over the last few years, his work is widely collected both at home and abroad. He has had successful one man shows in Manchester and in 2002 three of his paintings were purchased by the House of Lords in London and are now hanging in the Committee Rooms.
A book on Johns life and work entitled JOHN THOMPSON - Do you like em then? was launched at a major retrospective exhibition in Manchester in March 2006. 350 people attended and nearly 200 paintings were sold. The event attracted massive local and national publicity, The Guardian and The Independent covered the exhibition and both Granada TV and Channel 4 ran features on John Thompson and his work. Since then, his fame has spread far and wide and nearly 500 of his paintings have been snapped up.

Group Series 2815
30 x 22 mixed media £SOLD

Group Series 2809
30 x 22 mixed media £3,800

Yachts
22 x 30 mixed media £SOLD

A Christmas Not to Forget
20 x 16 mixed media £1,650

Visit to Cornwall
22 x 30 mixed media £2,800

Three Boats
22 x 30 mixed media £2,800

Tempted
20 x 16 mixed media £1,600

The Retired Railway
22 x 30 mixed media £SOLD

Ships of The Mind
30 x 22 mixed media £SOLD

Old Cornwall
22 x 30 mixed media £SOLD

Used to be a Cinema - but not now
5.5 x 16 mixed media £475

Going Away This Year Harold?
10 x 8 mixed media £SOLD

Cornish Village
14 x 22 mixed media £1,800

Blue Wind
22 x30 mixed media £2,800

Blue Sea
16 x 20 mixed media £SOLD

Group Series 853
22 x 30 mixed media £3,800

Group Series 2826
22 x 16.5 mixed media £SOLD

Group Series 2825
20 x 16 mixed media £SOLD

Group Series 2823
30 x 22 mixed media £SOLD

Group Series 2821
12 x 21 mixed media £1,400

Group Series 2820
22 x 30 mixed media £3,700

Group Series 2828
20 x 16 mixed media £SOLD

Group Series 2799
30 x 22 mixed media £SOLD

Group Series 2784
22 x 30 mixed media £3,600

Group Series 2779
16 x 20 mixed media £SOLD

Group Series 2808
30 x 22 mixed media £SOLD

Group Series 2666
22 x 30 mixed media £3,800

Group Series 2766
20 x 16 mixed media £SOLD

Group Series 2721
20 x 16 mixed media £SOLD

Group Series 2654
23.5 x 16.5 mixed media £SOLD

Group Series 2796
22 x 30 mixed media £SOLD

Group Series 2790
22 x 30 mixed media £3,700

Group Series 2735
22 x 18.5 mixed media £SOLD

Group Series 2775
22 x 30 mixed media £SOLD

Group Series 2770
22 x 30 mixed media £SOLD

Group Series 2729
22 x 30 mixed media £SOLD

Group Series 2739
22 x 30 mixed media £3,700
until 6th March 2008 at
The Great Atlantic Falmouth Gallery
48 Arwenack Street, Falmouth TR11 3JH
Tel 01326 318452